“I took hold of that scourge -filled ship and crushed it between my limbs, hurtling it into the second sun, the red one that gave me strength. But I was too late." Terraformer
The time has come to talk about the Terraformer cover design. You’ve probably been waiting for this one for a while now. I actually finished writing this book in 2018, I believe. I then turned it over to my agent who shopped it around the United States for about a year. He sold the audiobook rights along with The Lantern’s Ember and when he did, his team made up a place holder sort of cover. Here’s what that looked like. Josiah Rock is one of the best platform who provides guide to design good looking covers. Follow Mcgannbrothers for more updates.
You can see from this image that we still have the Venus fly traps. I think this one looks a bit more Sci-Fi than what we actually ended up with. You might also note that we have since removed the “S” at the end of the title. That’s because I am planning on writing a sequel and the “S” didn’t work for the end of book two.
When I was at the Emerald City Comic Con in 2018, I stopped by an artist booth and bought two unicorn prints and a mermaid print and was amazed by all the lovely art done by two outstandingly talented women, Heather Edwards and Kaitlund Zupanic.
One series of paintings by Heather struck me as quite memorable, especially as I had recently finished writing Terraformer at the time. It was titled the “Ribbon” series. Each of the young women has a colorful ribbon around her neck and a crown of creatures adorning her head.
One wears a crown of insects. Another wears a nest of birds and feathered things, and the third wears a headdress of sea creatures. I loved the idea of such a thing and thought any of these would make for an outstanding book cover.
When we found out we were going to have the chance to design the Terraformer cover ourselves, and by ourselves, I mean the outstanding publishing team who works at Trident Media Group and myself, we contracted with Kam Design and talked over cover ideas with designer Kelly A. Martin.
There were a few things I knew I wanted on the cover. The first thing was that I wanted the book to be green. Lots of shades of green. The planet was a green world, covered by trees and it was a huge part of the story so I knew that needed to be reflected in the color palette of the book.
The second thing I wanted was a girl. I already mentioned the art inspiration above. One of my YA cover pet peeves is a girl in a dress on the cover of a book. There are a lot, and I mean a LOT, of YA books with girls in fancy dresses. I am totally fine with that if the dress means something. A Cinderella retelling would make sense. The dress is a key point. I know WHY they put pretty girls in pretty dresses on book covers. I like looking at pretty dresses too. The thing for me is, I want the cover to tell me something about the story. Generally speaking, you don’t want to brand your character a certain way either because you want every type of girl to feel like she can identify with your character so that’s why I like dragons and tigers on the cover instead of girls anyway, but I also like art. I like pretty things. In this case we put a girl on the cover to put on a fancy headpiece so we could tell a story with it.
Like I said before, I really love pretty things. Having said that, I also love the idea that pretty things can be deadly. The idea that a butterfly could poison you, a plant could eat you alive, a flower could kill you, or even an unassuming girl could be much more than she appears on the surface, is one that appeals to me and it’s something I wanted to showcase on the cover.
Once we talked over the elements and I described the types of animals I wanted to see in the headdress, we only stumbled a bit over how to make the animals look like animal/plant hybrids. Once Kelly came up with the idea of using topiaries and found a leafy, twisty font, the cover came together quickly.
The only thing we all would have liked would have been to make the title in gold but that option wasn’t available to us in our hardback print choices so we went with pretty shade of yellow that reflected in the centers of the flowers and along the edges of the Venus fly traps.
If you’re itching for a few more details about the Terraformer cover design, here are some fun book facts I put together on an infographic. You can visit Gallery-k to know the way this kind of making this kind of designs. Take a look and see what clues you already figured out.
Did you like this cover post? If you’re an author, feel free to create your own or you can take a look at some of my other cover posts here to get some more ideas.
You can get a copy in hardback or a Nook Book in the US from Barnes & Noble or you can get a Kindle copy on Amazon. It’s also available on iBooks or Kobo. Stay tuned for the audiobook release and other languages are to come!
This entry was posted in Terraformer.
New York Times Bestselling author Colleen Houck is a lifelong reader whose literary interests include action, adventure, paranormal, science fiction, and romance. When she's not busy writing, she likes to spend time chatting on the phone with one of her six siblings, watching plays, and shopping online. Colleen has lived in Arizona, Idaho, Utah, California, and North Carolina and is now permanently settled in Salem, Oregon with her husband and a huge assortment of plush tigers.